mikeymo's place

husband, father, pastor, musician, teacher


"O Lord, I ask for the nations!"


This week's edition of Song of the Week focuses on another song from the upcoming Gospel Light Worship album, Prepare. This week's song is "You Said," written by Reuben Morgan, and performed originally by Hillsong.


The song was originally published on Hillsong's 1999 live album By Your Side, and since then has been both a celebrated worship song, and a cause for debate over its theological merits. Still, the clear tone of the song (and Psalm 2, which inspired it) is that of the spreading of the influence of Christ to the nations - and this certainly goes with the overall theme of the Prepare album.


Since its release, folks have talked about the chorus of the song:


Ask and I'll give the nations to you
Oh Lord, that's the cry of my heart!
Distant shores and the islands will see
Your light, as it rises on us.


While Psalm 2 is clearly referring to the coming Messiah, the song seems to personalize the request. "Give me the nations." But, if we are in fact asking for the nations on Christ's behalf, then there is no issue with the song. At Gospel Light, we pray constantly for our neighborhood, our city, our nation. This album is a prayer for the nations, so to speak - we desire to reach out to people and help them find Christ. We do seek the nations.


This song has an easy, repetitive groove to it. We gave it a simple, acoustic arrangement. The verses have a nice back and forth pattern: we play a I-IV-I-vi pattern for the verses. We do the song in C. The chorus picks up the energy a little - not too much. The song can easily be repeated as much as needed in a worship environment.



Today I got invited to beta-test a new desktop Twitter manager called Mixero. While I will do a more in-depth, longer-term review shortly, let's call this a "day one" observation.

First off, the premise of Mixero is completely the opposite of my current Twitter app, TweetDeck. TweetDeck tries to get all your info in one place; Mixero is meant to allow you to filter your incoming information into a more usable form. My first reaction to this is "Well, if I didn't want someone's tweets, I would just not follow them." Right away, this seems more suited for someone managing an institutional Twitter account than a personal one.

Installation was one-click simple. Mixero uses the Adobe Air runtime environment (the same as TweetDeck) to connect to Twitter's API. Log in, type in your invite code (for the beta) and you're there.

It's a nice clean interface. What you have to start is your Timeline to the left, your Active Window in the middle, and your Contacts on the right. Double clicking a contact moves them to the Active Window. Once there, little flags pop up with the number of unread tweets and DMs. Contacts in the active window are added to the Timeline, so you see their tweets. If their not active, you don't see the tweets.

Making groups is easy as well. Hover over a contact, click the "Groups" button. A popup allows you to create a group, or select/deselect an existing group for the contact. You can add groups to the Active Window as well, and see all the tweets in a group.

One issue: Mixero apparently made a ton of calls to Twitter's API during the setup. Each user is limited to 100 calls per hour from 3rd party applications. (The Twitter webpage does not count.) So after ten minutes of running it alongside TweetDeck, they were both locked out until my next reset. (Notice the 0/100 talley in the corner of the TweetDeck screenshot below. ) I'll have to watch that in the future.

I haven't played with any of the other toys yet. (Channels and customization, etc...) Compare the Mixero UI to the TweetDeck one below it.






I miss the Facebook column, but supposedly Mixero is looking into adding other social networking sites. One would think FB is high on the list.

Stay tuned, campers...













I'm doing another worship setlist recap for this week for our Memorial Day outreach and picnic. Every Memorial Day and Labor day, Gospel Light packs up and heads for the beach, where we do a large picnic (that is open to everyone) and a short street meeting-type service. Yesterday, we had absolutely perfect weather, a great turnout, and a wonderful service.





We started off with a short worship set:


You Are Good (Houghton) (E)
Blessed Be Your Name (Redman)(C)
Amazing Grace (Newton)(D)





We chose these songs because they are familar and easy in an environment where there is no lyric projection, and there are many people who do not regularly attend a church. "You Are Good" is a great song to draw people in, especially when the congregation is singing and clapping. And of course, "Amazing Grace" is instantly familiar to everyone.



We continue to struggle with power issues at these outreaches. For the last couple of years, we've been using a power inverter to run everything, but this time, it overloaded whenever anything was simply plugged into it. We located a police officer, who located a Parks Department supervisor, who gave us permission to run power from one of the bathhouses, but that meant a 200 foot run of extension cords. We were getting some voltage drop and the PA was cutting out during the first song, until our quick-thinking sound team taped up the electical connections. We had no issues after that. We're going to need a better solution in the future.



After the worship team and some testimony time, Send Judah First came up to sing:

Come Thou Almighty King (Wright)(F)
He Is Exalted (Paris)(E)







We do our own arrangement of "He Is Exalted" which is really nice. After that, we had Sister Lashana from Beacon of Light Church sing a solo. She has an amazing voice, and can really bring life to some of the older hymns. She sang I Surrender All (Van Deventer/Weeden) a capella, and really struck a chord with a lot of people.


Following that solo was the message. I gave a short, evangelistic word out of Ephesians 3, regarding the dimensions of God's love. We followed that up with an invitiation and altar call, first playing Your Love is Deep (Smith/Collins/Kirksey) and Lashana reprising "I Surrender All." Several people asked for prayer, and at least one man (who was riding by on a bicycle) stopped and accepted the Lord.

All in all, it was a great day - all you could ask for from an outreach. I'm looking forward to Labor Day already. More picures can be found in the photo album.


This recap will be added to Fred McKinnon's setlist carnival for this week.

Today was a great worship service at Gospel Light Community Church. It comes in the middle of a busy weekend, culminating tommorrow with our Memorial Day beach outreach. It was a gorgeous day - sunny and mid-seventies - and just a great day to be reminded of God's goodness and provision.

Today's set:

Opening:
He Reigns (Furler/Taylor)(C)

Main Set:

Say So (Gungor/Houghton)(E)
Turn it Around (Houghton/Lindsey)(E)
God of Wonders (Byrd/Hindalong)(G)
Mighty to Save (Fielding/Morgan)(A)




I found some sweet tone today. I was just loving how everything was sounding after I made some changes to my Korg multi. I found a good group of setting that worked really well with the Bad Monkey pedal, and so I was in Happytown this morning.

"He Reigns" and "Say So" were pretty much straight up. We've recorded them both for our upcoming album, so they are very familar. For "God of Wonders" we try to stay pretty true to a Third Day-style, although with only one guitar. But it's a great song, and we love doing it. We extended the ending for a while to let people continue to worship.

We spent a lot of time on "Turn it Around" in rehearsal. We play it a lot, so it was time to look at the arrangement for a little freshness. (It was the only song we pulled a chart for - the song memorization thing is going well.) We worked mainly on the bridge, throwing in a couple of modulations up, and took some cues from the Alive in South Africa version. Plus, Justin loved using the thunder sound at the end of the song!

We switched up "Mighty to Save" a little as well. We've spent a lot of time with it lately, so again, we wanted something fresh. Since I was using the Korg multi, I had my RP-50 in the chain for the acoustic, and used a wah setting for the intros and verses, kicking it off for the chorus and bridge. The RP has always had the tendency to attenuate the volume in certain patches, but in this case, the effect worked to my advantage. We played that song for quite a while as well, because it really seemed to be connecting (as it usually does.)

So, how was your Sunday? Check out Fred McKinnon's blog for more setlists...

Ok, so this isn't really that silly. But it isn't very deep, either. As (hopefully) most of you know, Kris Allen was the winner of American Idol Season 8. Also, some might know, he got his musical start as a worship leader at the New Life Church campus in Conway, Arkansas. He's also been involved in campus ministry and missionary work in Africa, Europe and Asia.


So here's Kris singing "God of This City." Enjoy!





The Apostle Paul concludes Ephesians 3 with this prayer: that we "may be able to comprehend with all the saints what is the width and length and depth and height— to know the love of Christ which passes knowledge; that you may be filled with all the fullness of God."


It is exactly that thought that Jami Smith (with Dan Collins and Susanna Bussey Kirksey) was focused on in 2001, when "Your Love is Deep" was written. While not the most theologically challenging song ever written, "Your Love is Deep" has been a popular worship song since it was first released on Jami's 2001 live album Home. This is one of those songs that I'm sure many worshippers aren't even sure who wrote it - which suits Jami fine. In a 2005 interview for Enhance magazine, Jami said: "I like that I can be eliminated from the song, that the song now exists to serve the body of Christ—that is my inspiration."


We chose this song for the Prepare album largely for this ideal - that it's God's love that trancends all distance and boundries. Think about it: How deep does the love of God reach into our souls? How far is His reach for you. How wide is the sweep of his arms that includes everyone? How high can we aspire?


Romans 8: 35 asks: "Who shall separate us from the love of Christ? shall tribulation, or distress, or persecution, or famine, or nakedness, or peril, or sword?" The song answers the question firmly: "Who can separate us? Who can separate us from Your love? Nothing can separate us! Nothing can separate us from Your love!"


We play the song in the original key of D. Honestly, that is a little high for congregational worship, I'll admit it. But it is a soaring melody, especially the chorus, and the high key, I think, encourages people to lift their heads when they sing. And reaching higher is what this song is all about. The arrangement on the album is pretty stripped-down, mainly acoustic guitar, some drums for dynamics in the choruses. I think it's going to be a great addition to the record.

5/21/09

#idol

Last night was an interesting experience. I was watching the finale of American Idol. For those of you who have just awoken from an eight-plus year coma, American Idol is a part talent show, part popularity contest, part Dead Pool handicapping show for fading rock stars. (Oh, Lionel Ritchie is still alive? I had him...)



But I digress. What was interesting about last night was that I was also logged onto Twitter and Facebook (via Tweetdeck) and was getting and giving comments about the show. Let me tell you something - events like this are what Twitter was made for. It's right in its wheelhouse.

I imagine it was a strange experience for my friends on the west coast like Tyler and Brent, who were not going to see the show for three hours, and here are all of us east-coasters, giddily tweeting away about who's on the show, what they're wearing and how the acts are.
Now that it's all over, and the correct Idol has won (you got it right, America! Worship leaders rep-ree-sent-in!) I can openly chat about it. I had promised that I would not tweet about the winner, but there were a flurry of tweets about Kris winning by 10:02 EDT anyway.

Here's some of my tweet-stream during the show:


I think #idol might have jumped the shark with "Bikini Girl."

Oh yeah, they did. Although I did laugh pretty heartily at Ryan's quip about what was new with Bikini Girl.

Cyndi Lauper still got it! #idol

To which 20 year old Justin replied:

@mikeymo1741 who is cyndi lauper????? never heard of her


That's just sad. But her duet of "Time After Time" with Allison Iraheta was right on the money, dulcimer and all, and showed that she still has mad pipes.


If Elvis and Simon LeBon had a kid, his name would be Adam Lambert. #idol




I like the kid, he can sing, he's got good presence, and seems to have a good attitude. He wasn't my choice, but I'm not into the whole glam thing anymore. I think Adam does look a bit like Elvis, but dresses a lot like Simon LeBon circa Arena. I know Justin is probably asking "Who's Simon LeBon?"



Someone tell Paul Stanley that writhing on the stage at 56 ain't cool. #idol

That was just sad. Plus, Lambert and Gene Simmons would make a great "New Kiss." That Tweet got retweeted some, so apparently others feel the same. Hence this:

RT @inworship: RT @shameonyoko Paul Stanley just rolled over in his grave with that #idol performance. What? He's still alive? // Hahaha!!!

'nuf said.

What's Sir Rodney, like 90? #idol

RT @INHISGRIP: RT @shawnwood Seriously is anyone younger than 65 going to sing on AI finale? Rod Stewarts jacket is older than @Chrissligh


Seriously, I am glad they stopped singing "Do Ya Think I'm Sexy" before Rod came out. Because 7500 people in the Nokia Theater would have yelled "NO!" Well, maybe except for Paula. It was as sad as George Michael on the finale last year. And that thing with the Black-eyed Peas was just disturbing. And I wish they had let Steve Martin actually play some banjo, because I happen to know that boy can play!

After they dragged out Lionel Ritchie, I posted this thought:

Who's next, #idol? Fats Waller?



I mean really. Not that it was all lame. Besides the aformentioned appearance by Lauper, I though that Kris Allen singing with Keith Urban seriously rocked. You can't go wrong when Carlos Santana and a guitar are on the same stage. And then there was Queen. How do you not love Queen? Here's how:




How do you NOT let Brian May play a solo, #idol ?

I mean, he's Brian-freaking-May! Bad job, Ricky Minor. But seriously, Adam's got the chops to do Freddie Mercury justice. Forget Kiss, he should be the new frontman for Queen. (no chuckles...)


Finally, there was this gem from the left-coast, that hit my TweetDeck about 10:05.

RT @inworship: I think a lot of people are going to be surprised when Adam wins tonight._________


Um, sorry, Brent.

5/19/09

Epic Fail

Last Friday was a special event on Twitter, known as 100 Pic Friday. (or #100picfriday in Hashtag-speak) The idea was to take 100 pictures with your cellphone and post them to Twitter.

I failed totally. 15 lousy pics. In my defense, it was a busy day. (You're right. I stink on ice.)


Well, here's the 15! Enjoy! You can click on any of the photos to super-biggieficate.

Busy day for me this Sunday, which is why this is so delayed. Let's star with the setlist at Gospel Light Community Church:

Opening:

Blessed Be Your Name (Redman)(C)

Main Set:

Cover the Earth (Houghton/Cruse-Ratcliff/Houghton)(G)
Friend of God (Gungor/Houghton)(E)
Lord I Lift Your Name on High (Founds)(G)
How Great is Our God (Tomlin)(G)
Oh Lord, You're Beautiful (Green)(D)

I was actually not at Sunday morning service this week, as we had an annual family event. My father's club hosts a kid's day every year, where kids get to fish, target shoot and do archery. So that's where I spent my day. Josh was also not there, as he had been invited to preach in a church in the Bronx. So Justin (@jujoleph) not only led vocals, but led music as well, and from all reports, did an outstanding job. Way to go Justin!

All is not lost, however, as this Sunday was the occaision for our monthly joint worship service with Beacon of Light church in Waterbury. BOL is a church we planted several years ago, and each month we ge together with them to worship. Also this month, we had invited some members of Sword of the Spirit Christian Church right here in Bridgeport.

Our short worship set looked like this:

Again I Say Rejoice (Houghton)(E)
Friend of God (Gungor/Houghton)(E)
Shout to the Lord (Zschech)(A)

We did "Again I Say Rejoice" and "Friend of God" as a medley. "Shout to the Lord" was a song we haven't done in a while, but it's a great song for this kind of service. When people come out to a second service on a Sunday, they are there because they want to worship, and that soaring anthem really has a place in that kind of environment.

Pastor William and his wife Pastor Gayle from Sword of the Spirit then treeated us to a rousing, gospel rendition of I've Got a River of Life. (Casebolt) We used to do that song a lot, years ago, so it was familiar to everyone at Gospel Light. Beacon of Light then shared a couple of original songs with us. (At least I think they were original!)

Send Judah First was then up to minister. First up was an a capella rendition of Awesome God. (Mullins) followed by a full-on version of Come Thou Almighty King (Wright). Then a couple of our young women sang an a capella version of So Close. That part of the service was rounded off with Sister Cathy singing an amazing rendition of He Looked Beyond My Faults. (Rambo)

All in all, even with the missed service, I did church last night!! And it was a great day of music and worship.

Check out Fred McKinnon's blog for other churches and worship recaps.


For this week's "Song of the Week," we will continue the series focusing on the upcoming Gospel Light Worship album Prepare. This week's song is One Way by Hillsong United.

Similar to "Tell the World" in style and feel, "One Way" is a heart-pounding anthem, one that is at once easily singable and fun. The opening drum beats quickly allow the listener to identify the song, and the simple message is proclaimed with a an enthusiastic, if simple, chorus.

One way, Jesus. You're the only one that I could live for!

The song was really one that obviously belongs on the record, and is actually a compliment to "Tell the World." The message is simple: Jesus is the only way. The lyrics echo John 14:6 and 2Corinthians 5:7 :

You are the Way the Truth and the Life, we live by faith and not by sight. For you, we're living all for you."

Written by Jonathan Douglass and Joel Houston, the song first showed up on Hillsong United's 2004 album More than Life. It's also on 2008's The I Heart Revolution in a more energetic and perfomance-oriented form. While we don't rock it out as much as the latter version, we do play it more uptempo than the original. We keep it in the original key of B as well. It is (with "Tell the World" the most upbeat of the tunes on the record.

Here is United doing the song in the More Than Life arrangement:





5/13/09

The List


There's a great thread going on over at The Worship Community forums regarding songs "retirement." Specifically, a question was asked to the community about when a song gets retired from a church's repertoire. The answers varied from "never" to "regularly," of course. Nathan referred to this excellent post from last year on the subject.


We made a choice last year that we were going to limit our worship catalogue at Gospel Light for 2009. We did a self-evaluation last year and reviewed how we felt the prior year had went. We found that over the previous two years, we had introduced over thirty new songs to the congregation. That's one, one average, every three and a half weeks. Maybe it doesn't sound like a lot, but it was. In our fervor for new music and being "cutting edge," we had left much of the congregation in the dust.


It is much easier for an active, working musician to assimilate a new song than it is for the typical congregant. This is due to several factors:


  1. We have more time to spend with the music. Music makers are, by definition, music fans. We listen to music, breath music, dream about music. It is not unusual, or even uncomfortable, for me to listen to a song on repeat several times in a row. Most listeners don't like that.


  2. We speak the language of music more readily. Just like it's easier to memorize a phrase in a language you speak and understand, so it is with music. I can listen to a phrase, or look at a chart, and understand the "syntax" of what's happening, and it makes sense to me. It may be a new song, but the progression may be familiar. A causal listener might not make that connection.


  3. There's some kind of eerie right-brain/left-brain thing happening. Your left-brain is reading this and doesn't get it. Neither does mine. But it's there.


We also noticed that more members were squinting at the screen and not really worshipping. They were concentrating on reading the lyrics and not feeling the words. And this was happening far too often.


So we made a couple of choices. The first was an embargo on all new music for the first six months of the year. This has been tough. I've heard some cool stuff I'd love to do in the last five months. So have the others. The other choice was to pare the catalogue down to fifty songs. That was really hard. We divided the list up into "fast" "moderate" and "slow." We each then listed our top song in each category. (Truth be told, most of us listed two or three. We breathe music, remember?) Those selections were the basis of the master list.


We have, for years, rotated the responsibility of song selection among the team. Each member does two weeks in a row, two or three times a year. This gives everyone the opportunity to hear from God and to put "their" touch on a service. It works really well. Being constrained to fifty songs was tough at first. "What about this one?" or "This should be on the list!" was often heard. So there are a couple of "outs." The first "out" is the offering songs. We play two songs during offering time. These songs are not limited to The List. So the song-picker can bust out with "As David Did" or "Blow the Trumpet in Zion" as they see fit.

The second "out" is the altar call. We generally don't pre-plan this - it either flows from the message, or the preacher asks for something specific.

This whole process has had it's ups and downs. Ups:



  • The congregation is more focused on worshipping instead of reading

  • The songs are more familiar, hence more connection

  • We are better prepared to do a song "on the fly."

  • No more old, lame songs no one likes anyway.

  • No stinkin' music stands.

Downs:



  • We (the team) more easily gets bored with some songs.

  • Some congregants tell us "You played that song last week!"

  • There's some hot new music out there we need to do!

We'll see how things go come July, when the self-imposed "ban" is lifted. We will probably go slow - maybe one new song a month, something like that. (We usually use the 2-1-1 method; two weeks on, one week off, one week on.) Can't wait!


Gillian Taylor - "Don't tell me... you don't use money in the 23rd century."


Jim Kirk - "We don't."

-from Star Trek IV: The Voyage Home






Imagine that. A world with no money. It's closer than you think. Or is it?


Over a hundred years ago, a bottle cap salesman in Niagra Falls was given a life-changing peice of advice by his boss - invent something that people use and throw away. Several years later, while shaving, King Gillette came up with an idea. What if instead of a hard to maintain straight razor, he could make thin, cheap razors out of bands of metal. They get dull, throw them out. The first year of production wasn't exactly banner - in 1903 Gillette sold 168 blades and 51 razors.


Then he had a banner idea - sell them to the Army dirt cheap. Soldiers would get accustomed to them and want them when they came home. Then he came up with a better idea. Give people free razors. Then, they would have to buy his blades.


Thus, the idea of cross-subsidizing was born. Give away something that should be expensive for free, and people (Lemmings that they are) will pay big money for something that should be cheap. We've all done it. We get our free cell phone so we can pay for our big wireless plan. We make our expensive coffee in our free coffee maker at the office. We download a free CD that makes us want to pay ninety bucks for a concert ticket.



And so we have a paradigm for the new century - in the words of the Red Hot Chili Peppers, "Give it away now." Why. Because things keep getting cheaper. Don't believe me? You're looking at an example right now. Carver Mead is a pioneering computer scientist, who coined the phrase "Moore's Law." A corallary, he said, was that the cost of a transister will half every 18 months. And he was right. Computing power is so cheap these days, that we literally "waste" the vast majority of our once-precious computing cycles. Check you're CPU monitoring utility. Unless your are running some distributed-computing program like Boinc, chances are your "System Idle" number is around 98%. I actually run Boinc on my desktop, so my cycles are at 100% all the time, but Boinc uses 98-99% of the cycles. We waste cycles all the time with animated cursers, floating icons, transparent windows and other eye-candy.


Imagine the nuclear community was right, and electricty became so cheap in was practically free. No one would worry about "greening" their homes. Everything would run on electricity! Electric heat. Electric water heaters. Electric cars. Dependence on fossil fuels would drop to nil, and the world would be greener. Global warming? What's that?


Arts and entertainment are the next big free thing. After all, the aliens running Hulu are very happy to give you your TV online, all the time, for free. Network websites all put their shows online soon after they air. I watched "House" on Hulu the other day. I had the choice of one long commercial at the front, or several small commericals during. (I chose the former and got a snack.) I have never watched an episode of Kings on the TV. (And I have a DVR) But I've seen them all.


Online music. Where do I get started? In this great article from The Working Musician, blogger David Hahn actually argues for file-sharing. He makes several good arguments, but this one nails it: "But consider this - 'professional musician' wasn’t a career created by the phonograph. The musician industry has been around as long as humans have, but recorded music is, relatively, a very new invention. Mozart never sold a record. Beethoven never released an album. Yet they made careers as musicians."


More and more, we see artist following this changing paradigm with their new original music - "Give fans the recording, and they will pay to come see me perform it live." Which, really is the goal for a working musician, anyway. To play in front of people, not just a microphone. Back in the day, selling recordings was the only way a blues player from Alabama was going to get a guy in London to hear his music. Now, we can hear anyone's music, anytime. And physical recordings cost lots of money. There are printing costs, duplicating costs, distribution costs... As we get close the completion of Gospel Light Worship's album, we understand that we are going to need to make physical copies of the record, as much of our (hopeful) audience has not yet fully embraced cyber-delivered music.


Is the idea of "intellectual property" going by the wayside? Maybe not, but the whole model is about to change. In the future, the value of information will rise the more you give it away. Take Twitter. It's been around for a while, has millions of users, is growing by leaps and bounds. But, Twitter has no viable revenue model. It makes no money, it charges users nothing. Is is sustainable? Not in the current economic model. Someone has to pay for all that bandwidth and all those servers. But sites like Twitter, the Internet Archive, Google and more show that free can be good. Free works.

Some models exist that expand the three-party economics of the media (content providers "give away" content, and advertisers foot the bill). Some models say "We'll give you X, but you pay for Xplus. (Or in most cases, Xpro.) There are folks who actually send money to open-source software developers. Altruism isn't dead, it just hasn't been given much of a chance lately. And economies of scale take on epic proportions in a wired world. "Digg"ing something takes you a second to click. But to someone, those click statistics are worth big bucks. You get content for free, they get their data.

Milton Friedman said that there's no such thing as a free lunch. But there is, if someone else is picking up the tab, and anyway, the bologna is cheaper every day.



The setlist for Mother's Day 2009 at Gospel Light Community Church looked like this:

Opening Song:

Revelation Song (Riddle)(G)

Main Set:

Tell the World (Douglass,Houston, Sampson)(G)
One Way (Houston, Douglass)(B)
Your Grace is Enough(Maher)(G)
How Great is Our God(Tomlin, Reeves, Cash)(G)
Came to My Rescue(Davies, Sampson, Thomas)(G)



Lot of acoustic work for me today, at least that was the plan. Only the first to songs in the main set were getting electric. Good workout for me! "Tell the World" and "One Way" are songs that we are so used to from our recording project, that the fun part is trying to switch them up.


"How Great..." worked out really nicely today. We did about a six or seven-minute version of it, and could have done more. We all know it's a great song, but it really worked well in the set today. I broke my B string during "Came to My Rescue." That's annoying. We really use the acoustic to drive the rhythm on the verses. Fortunately, it was during the bridge, so Justin was able to pick up the heavy work on the piano while I switched guitars. It actually sounded pretty good, kicking in with the electric at the end. We did a short reprise of that song as well, really slow, just at the end of worship time. Nice.

We also had our Send Judah First choir combine with the Kidzport group to sing I Need You To Survive by Hezekiah Walker. That is one of the favorite songs that Judah sings, and it carried special meaning on this Mother's Day. There's a video of part of the song below.


Our tradition every year is to have the youngest child in a family come to the front and get a carnation for their mother. We do make sure every mother gets recognizes, and we also acknowledged our oldest mother (who's 94) and our newest mother (who had her first child last month.) Then we have the children gather around the mothers and pray for them. Mother's Day is always a great service.


After our service, I was fortunate to be able to go see Joel Klampert lead worship at Archanges Church. Joel lives about two and a half hours away, but was down for today and invited me to come. So I got some "bonus" worship! He did a song of his own, Hosanna by Paul Baloche, Amazed by Jared Anderson, King of Wonders by CompassionArt and he also did Your Grace is Enough.



This setlist is part of the setlist carnival hosted at Fred McKinnon's blog. Go check it out.
Send Judah First and KidzPort:

video


--Written before I saw it.
I am, generally speaking, not a huge fan of reboots, remakes, recycles or rehashes. I mean, how many versions of "Freaky Friday" do we really need? As a writer, I understand writer's block - sitting and staring at the blinking cursor and all. But do we really need to dust off the old "Witch Mountain" scripts?

I am, however, a huge fan of Star Trek. Always have been. My earliest television memories are not of Bugs Bunny, but of James Kirk. (Actually, I was always more of a Scotty man, myself.) I was born during Star Trek's original run, so there's that connection, you see. I've read literally hundreds of Star Trek novels. Can quote every film, even the bad ones. I can tell you the title of a Next Generation episode by watching thirty seconds of the teaser. I even know most episodes of Star Trek: Sellout, I mean, Star Trek: Voyager.

And I am not universally opposed to reboots. The just-ended iteration of Battlestar Galactica is perhaps the best television that has ever graced the small screen, ever. So say we all. But this is Star Trek. This is part of our cultural fabric, the tapestry of who we are. The Great Bird of the Galaxy's visionary, sometimes campy, always provocative sci-fi series has sewn itself deeply into the core of modern society. Your cell phone is proof.

And so it is with as much trepidation as anticipation that I went to see J.J. Abram's reboot of the movie. Granted, Paramount has pretty much trashed the entire franchise ever since Deep Space Nine went off the air. Voyager was pathetic. (BSG was the show Voyager should have been, could have been, but wasn't.) Enterprise showed flashes of the old brilliance in the fourth season, alas, too late. The "novels" are mainly pulp-fiction trash these days. Nemesis was quite possible worse than Star Trek V. (OK, maybe not.) The old girl needs some new life, but is Cloverfield and Lost mastermind Abrams the guy to do it? Can he pull it off?
--Written after I saw it.

Yes, he can.

It's not perfect. But man, is it good. I suspect that the hard-core Trekker might have some issues with it. The overall story arc is a bit... over the top. But its strengths outweigh all that.

Characters: Pretty much a hit. Chris Pine was outstanding as Kirk. He was the perfect hero - receiving more beatings than giving, but giving the big one. Pine's intensity was tempered with just enough swagger for a young James Kirk. Quinto was equally excellent as young Spock, matching a younger Leonard Nimoy's deep, thoughtful gazes. But I really thought Karl Urban owned McCoy. Smack on perfect without being a charactature. I wanted to like John Cho as Sulu, but couldn't. I didn't want to like Tyler Perry as the Academy commandant, but did.


I found both the Uhura and Chekov characters distracting, but loved Simon Pegg as Scotty. And Bruce Greenwood was absolutely perfect casting as Chris Pike. Eric Bana's Nero was compelling, but one-dimensional.

Effects: Ooofa. Wow. I remember being 13 and going to see Star Trek: The Motion Picture on opening day in '79. I remember clearly sitting in the theater, watching that amazing reveal of the new Enterprise. There was no internet then, so it was my first look at it. I found myself wishing I had avoided all looks at the 2009 Enterprise, because the reveal was that good. The effects are frenetic without being chaotic, and Nero's ship remains mysterious enough to be compelling. The high-altitude visuals are stunning, and the space battles tremendous.

Family Friendly: Eh. There is a (to me gratuitous) scene involving Kirk and an Orion cadet. Not only is it misplaced in the canon, but it does not serve to move the story along, except to deliver one small plot point. A couple of minor swears and a lot of smacking around might make you want to keep the littlest ones out of the theater, but that's about it. Spiritual content: zilch.

Accents: I've seen some complaints about the score, but I liked it. Michael Giaccino realized that music was part of the dramatic fabric of the original, and like the original, his score is a little over the top. Likewise, the script contained the right amount of humor; the original was at times ironic, and at times flat-out campy. There are some campy moments here, but they work.

Sets: I'm torn here. I'm not sold on the Apple Store bridge. The corridor sets were cool, but I really disliked the "engineering" decks. J.J., please. Steel I-beams? Light bulbs? And the ship seems way bigger on the inside than the outside. What's up with that? And the turbine room? Turbine room? Those are for speed, right? The atomic batteries are for power? Or is that another rebooted franchise?



Nimoy: Ahh, Nimoy. Brilliant. His best Spock since The Wrath of Khan. Not overdone, not fanboy. Just right.

All in all, it was an excellent film. I'm not keen on some of the liberties J.J. and the boys took with the canon, and some of the casting could have been better. But I liked it more than I thought, and I am more accepting of the "reboot" than expected. And, I'm looking forward to where the franchise goes from here.


There was a pretty interesting discussion going on over at The Worship Community following the review I wrote for them on Christian George's new book, Godology. If you haven't checked it out, go over and read it.


Much of the discussion centered on "classical" interpretations of the mechanics of the Incarnation - exactly what Jesus was when he walked the Earth; man, God, both. More importantly, which attributes of each did he demonstrate?

The fire began when I quoted something Christian had written:

"Jesus understands what it’s like to be in our skin. He walked a mile not only in our shoes, but also in our feet.” “…He felt the rush of adrenaline and the sneeze of a cold. He suffered from fears and doubts, and maybe ingrown toenails and acid indigestion.”

Whoa! Doubt?

Apparently this ruffled a feather or two. Which is fine; that's what discussion boards, forums and comments exist for - to foster discussion and dialog. And this post is not going to tackle the Council of Chalcedon, kenosis or anything else discussed in the comment thread. That discussion took place there.

I want to talk about the balance that should be struck between knowledge and wisdom. First off, please know that they are two different things. This is why we have two different words for them. Knowledge can be defined as the gathering and collecting of information. Wisdom, however, should be defined as the ability to take into account all factors, and assign each its due weight. In other words, just because one knows a thing, does not necessarily make that thing important.


Wisdom tempers knowledge with experience. This is difficult task in this day and age. What only a quarter century ago would have taken days, weeks or months of painstaking research can now be had at the click of a mouse. Knowledge from the great libraries of the world are at our fingertips. But it is a two-edged sword. Which is easier, when faced with a challenge: to spend time figuring it out, or to simply Google the solution? (I am guilty of this myself; I find I have no patience for word-descrambling puzzles when the answer is temptingly close.) Instant knowledge is a good thing, but one must remember the mind is a muscle, and it has to be exercised. Creative, critical thought is a key exercise for a developing mind.

Such things are scriptural indeed. Solomon asked God for wisdom, not for knowledge in 1 Kings 3:9. In Acts 17, Luke tells us that there was much more fruit borne of Paul and Silas' teaching in Berea than in Thessalonica, and that the Bereans were more "noble-minded" because not only did they listen to what Paul had to say, but they "examined the Scriptures daily, to see whether these things were so." (v11b)

One commenter wrote: "...I will confidently stand with such an overwhelming consensus of centuries worth of Christians, because I don’t think that God was waiting for us Americans to correct them." While I don't personally get the "American" reference, I do understand the sentiment. For more than a millennium, scholars have been saying something, so it must be true, right? Not so fast.

For centuries, art scholars and historians have been marvelling over and studying Michelangelo's great works in the Sistine Chapel at the Vatican. The various frescoes on the ceiling and the "Last Judgement" painted on the altar wall have been captivating us for four hundred years. And for as long, these same learned experts have been commenting on the Master's subdued use of color, on his "dark palette," on his use of deep shadow and contrast. Doctorates have been earned on analytical dissertations of the dark palette.


Then they cleaned it.

A controversial renovation in the 1980's, which removed 400 years of candle soot, demonstrated that not only did the Master not have a dark palette, but in fact, he was a colorist. Wonderful, vibrant shades of rose and apple green, of yellow and ochre sprang to life. I do not dispute that the renovation itself was a poorly-done travesty. Many of the figures now have no eyeballs. And perhaps they removed too much of the shading. But we can learn something from the effort.

Just because wisdom is conventional does not make it correct. After all, Sir Issac Newton and Galileo Galilei both bucked "conventional wisdom" and were proven correct. Knowledge is only as good as the completeness of the information that feeds it. In computer parlance, "Garbage in, garbage out."

We do not operate in a vacuum, not are we intended to by our Creator. We are meant to temper information with careful consideration, and view things through the lens of God's personal revelations to us, as the Bereans did. I absolutely support the quest for knowledge. But one must be able to discern what to apply and when to apply it.


This week, we'll look at one of the slower, more intimate songs that is going onto Gospel Light Worship's upcoming record, Prepare. "Draw Me Close" is perhaps the most personal and moving song we've selected. It is also by far the oldest: written in 1994, it is seven years older than the next-oldest composition.

Why, on this record of modern, contemporary songs, did we chose to put this one? Mainly because of its intimacy, and the way it truly personalizes the heart's quest for a connection with God.

Kelly Carpenter wrote this song during a time when he had come to realize that he had put things in his life ahead of God. The lyric "I lay it all down again to hear you say I'm your friend." came out of a time of personal prayer on the issue. Carpenter says the song "just spilled out" after that, during a 20 minute period.

Much like Matt Redman's "Heart of Worship," the song almost never saw the light of day, except when worship leader Andy Park heard it. It wound up on Park's 1994 Vineyard release Live Worship: The River is Here. After that, the song slowly took off. Perhaps its most well-known cover is by Michael W. Smith on his 2001 album Worship. (Ironically streeted on September 11, 2001.

Some have criticized the song for being too simplistic and un-theological. To them I would say "Look into your heart. Are the words you cry to God based on theology, or on your feelings?" Clearly, this song speaks to the latter. Jesus told us that no one came to Him "unless the Father draws him." This is a cry for just that.

Technically the song is simple. We're doing it in D. I really like the flavor that the minor chord adds to it, as if proving a point. The arrangement we have done for Prepare is a stripped-down acoustic ballad, allowing the vocals to come through, and the words to speak.

Read about the song story here, in Crosswalk. And here is Smitty doing the song live:



Let's give a big shout out for mission work.


There are basically three types of mission work being done today by the church. Each fulfills a particular role and purpose, and each is important.





  1. Permanent, long term mission: This is where a missionary or missionaries go and literally live in the community they are serving, for an indefinite period of time. The persons will become part of the community, often serving a particular need; for example, running a school, a medical clinic, planting a church, teaching, relief efforts, etc... Sometimes the mission itself is permanent, and the people change, but this is an old-school way of doing things. More effective are the relationships built in the community, person-to-person. Often the missionaries have no home in their sending country, relying on the host country for everything. Often families work in this kind of mission together.


  2. Long-term mission: This is where missionaries go to the community for a long time, but with full intent of returning home shortly. Usually these missions last several months to a year or more. The missionary may maintain a home in their home country, and may travel back and forth. They accomplish much the same roles as the permanent mission, but with more of a focus (usually) on equipping people in the community to fulfill those roles. An example may be a church planter who hands the congregation over to a locally-trained pastor.


  3. Short-term mission: These are when people go to the host community for a short period of time, usually on the order of several days to several weeks, a season or a semester. The main goal here is to meet short-term needs (a particular project, for example) or to support the longer missions.


Missionary work is life-changing. Let me say that again. It will change your life. Forever.



I was blessed in 2004 with the opportunity to go on a short-term mission trip to Belize in Central America. The trip was organized to support long-term missionaries that Gospel Light had in Belize at the time. We were there for ten days on that trip. I could write a book about it, literally, but suffice it to say I have not been the same since. I saw abject poverty and total faith abiding in the same houses. We were there to preach at various churches, do some teaching, and help build a bathroom. The bathroom had been completed before we went, but we still were able to do much work.



In 2005 I returned, this time with a group of 12 high-school students. We were there for the same kinds of things, and also to participate in a country-wide youth conference. That was another amazing ten days. You can read about that trip here.





I am writing this to encourage two things. First, you should get yourself out there. Mission work is not for the faint-hearted, but it is for you. You don't need to go to deepest, darkest Africa, either. Missionary work can happen right in your own country, right in your own area. Our church has played host to groups who come and desire to do mission work right in our own city. We've done short-term trips in places you can get to in a minivan. There are opportunities right around the corner.



The other thing you can do is support a mission trip already planned. I have a couple of options for you. Our own youth are taking a mission trip to the Florida panhandle this summer. Each youth is raising his own airfare and lodging money by hiring themselves out as labor, doing odd jobs and working at regular jobs. They are going to be doing revival meetings, street outreaches and such. If you are interested in information or supporting, just shoot me an email.


Russ Hutto is talking about a trip that House of Joy is putting together for Honduras. They're going to be doing revivals, worship seminars and children's programs. Check that out over here, and see if it's on your heart to help out.



Whatever you do, do something!

5/4/09

525600

Today marks the one year anniversary of mikeymo's place. My first "meaty" post was written on May 21st, but May 4th is the day that I decided to blog, opened the account, and wrote some "About Me" stuff. It's been a wild Web 2.0 year, that's for sure.

This little blog has not been Earth-shaking by any stretch. But it's given me the opportunity to reach several thousand people, which I am grateful for. If you are a regular reader, then you have my thanks and appriciation.


Back in November, I summarized the blog over the first 150 posts. This is actually post #299. That's some pretty good symmetry. So here's some more stat-ho goodness:

Most Read Post: Album Review - The Power of One - Israel Houghton. (3/30/09)

Runner up: Sonseed!


Most Referrals (besides Google) : Fred McKinnon. Bro, you still are the man!
Runner up: Facebook.


Most hits from country out of 80 (besides the U.S.): United Kingdom.
Runner up: Australia.


Most hits from state out of 51 (besides Connecticut): California
Runner up: Texas


Most Comments in a non-setlist post: Which God
Runner Up: (several-way tie, actually)


Busiest Day: April 07, 2009. (The day after Israel Houghon reposted my review)


Most Common Keyword: "Dave Mulhefeld" (What? The guy who wrote the freecreditreport.com jingles?)


Top 5 Keywords: "Dave Mulhefeld" "One God" "mikeymo" "Kari Jobe" "Sonseed"

Oddest Keyword: "Erasemus Mutanbira" (composer of Alpha and Omega)

Runner up: "who is Kari Jobe married?" (Am I really a source for stuff like this?)



Apparently my most common user runs Windows XP, IE7 at 1024x768 32 bit and connects via DSL. And speaks English, although I'm apparently big in Portuguese, Spanish and Korean.



Fourteen percent of my total visitors have 200+ visits. I don't know if that's good, but welcome back!


It's been great to be able to express, discuss, and plain ol' ramble. (Lot's of rambling, actually.) Most of the comments have been thoughtful and supportive.


Here's to another year!


The first Sunday of May at Gospel Light Community Church, and spring is in the air. Even though it was a little rainy, it was great seeing people shed their winter coats and enjoy the warmer weather. Onto the setlist:

Opening Song:

The Heart of Worship (Redman)(G)

Main Set:

Trading My Sorrows (Evans)(G)
You Are Good/Again I Say Rejoice (Houghton/Lindsey)(E)
For Who You Are (Sampson)(B)
God of Wonders (Byrd/Hindalong)(G)
For Who You Are (reprise)
Power of Your Love (Bullock)(G)

The opening song was supposed to be "I Can Only Imagine." didn't work out that way. We usually open the sanctuary twenty minutes before service for prayer. During that time, we'll provide a litte background music. Usually it starts with one or two of us, with others drifting in and joining. At 10:30, we start the opening song.

Today, I was on acoustic at the time, just noodling, and Justin said "Hey, play 'Heart of Worship.'" As the team members came in, the congregation started singing, and so we just stayed with it until service started.


We like to do "You are Good" and "Again I Say Rejoice" as a medley, similar to the way it's done on the Alive in South Africa album. We actually do both songs completely, but use the transition off the album. So after the tag in "You Are Good," we jump back into the bridge, then count off on to the bridge of "Again I say Rejoice." If you've never heard it, it goes like this: "You are good, all the time, and all the time, you are good... two, three, four, O that men, would praise His name..." I love it! It worked perfectly this week.

I think that we've never played "God of Wonders" better than we did today, really. We started it really slow, in the chorus, almost a capella. Just slow singing, repeating the "You are holy" line a few times, finally holding the note on the "holy," then coming in with the intro, regular tempo. It sounded great. But then the rest of the song matched it, and we just kept singing it and singing it, and the congregation was really letting go. I don't think any of us wanted the moment to end.


After that, Pastor Jim came to the front and said he felt that someone was in need of a healing today. He encouraged whoever it was to just realize that they could just approach God in worship, and then asked us to play "For Who You Are" again. As we moved into "The Power of Your Love," I can hardly remember a time where the congregations voices were lifted as high in worship.


This is part of a group of worship confessionals hosted at Fred McKinnon's blog. Check them all out!

I have been a fan of the electronic bible from time to time. I have one on my laptop, the excellent E-Sword open-source bible software. I have one in my Palm. I don't really use that anymore, though. I have one in my phone. It's cool, but you have to fetch each page individually, which is slow, but it's handy from time to time when you need to verse-slap someone on line at the DMV.

This thing is way cool, though! Thanks to Jon over at Stuff Christians Like.


I can smell it. Can you smell it?



I was starting to think that the record is taking way to long to do. But then, I realized that I've also been following the bro's over in the David Crowder Band while they've been recording their new record, Church Music. And they've been at it for over thirty full days, and they are professional musicians. We've basically been at it for thirteen three-hour sessions. So hour-for-hour, we're way out front. (But then, DC*B spends a lot of studio time eating and cutting the lawn, apparently...



But I can smell it. We've been recording vocals, and now the songs are starting to sound like songs. I've sensed some renewed anticipation, even thought this has really been a surprisingly tiring process. It's coming, and it's gonna be better than we thought.



But on to last night! The musicians once again assembled into Read's Artspace to do some bid'ness. The plan:


  • Completely re-track "We Prepare the Way"
  • Drum track on "Mighty to Save"
  • Vocals - verses on "Mighty to Save" and "Say So."

There's the plan, and we were sticking to it! First up, was the drum track for "Mighty to Save." We had recorded the track over a percussion loop that Gabby had made. Everything was seriously on the money, and it was time for Chris to make his first appearance in the studio to lay the drums. He did not fail to impress. His first run-through was on the money as far as timing. Just a couple of parts of uncertainty toward the end. Take two was perfect through the first two verses and choruses, but he lost his way a bit in the bridge. So he punched in on the bridge, and did the rest. All in all, I think there were four takes. Not bad for his first time in. And what it did to the song was amazing.

Next up was to redo "We Prepare the Way." We had, honestly, kind of rushed it a bit two weeks ago. We decided to scrap it and start over. We began with keys, bass and drums on the first take. The foundation of the song was done in two takes, after a small hardware issue. ProTools crashed for no reason in the middle of a take. (And here I though Mac's never had crashes. I should have known better!) I then did the acoustic part over that, one and out, and that song was done. And seriously, it was worlds better than the first take.


On to vocals. Elyano was first up. We're splitting the verses on "Mighty to Save" between him and Laura. She's doing the first verse, him the second. She had recorded last week. He did his parts - oh my goodness! It was so good. We are double-tracking the lead vocals, which means that there will be two takes recorded and played together. One take will be back in the mix, and adds flavor and depth to the vocal. The problem is this: as a singer you need to sing two near-identical takes. There are plugins that can doubletrack automatically, but they don't sound as good.


So Elyano ran his second take and was done. Time for Justin. He was doing the entire lead for "Say So." The verses are short, but it's hard for a "live" singer to sing by himself. But he did a great job - two verses, doubletracked.






I also listed to the tracks Esther recorded last week for "Draw Me Close to You." The song sounds absolutely incredible. She was definitely stepping up her game when singing the leads. All in all, it was a great, productive night.

Next week will be all vocals. We'll set the plan on Sunday when the vocalists rehearse. We're also going to try to shoot the cover photo Sunday afternoon. We are going to shoot on at a local park, which has an old stone bridge that literally goes nowhere.


We also are starting to think hard about packaging and duplication. We're going to have to make some choices this month - who to have do it, what kind of packaging, etc... But it won't be long now!