mikeymo's place

husband, father, pastor, musician, teacher


Every once in awhile you hear one of those songs that you know has been around a bit, and wonder why you never really paid it much attention. That's the story of me and this week's song, "All Because of Jesus," written by Steve Fee. I've heard the song a few times prior to this year, most notably on the Casting Crows The Altar and the Door album, but didn't really hear it until recently.

Steve Fee is one of the woship pastors at the massive Northpoint Community Church in Georgia. His band released it's first major-label record in 2007, called We Shine. "All Because of Jesus" became an instant smash, landing on the Billboard Hot Christain AC chart at #2.

The song quickly swept through churches across the country, including Eagle's Landing First Baptist Church in neighboring McDonough, where Casting Crowns member Mark Hall is youth pastor. The song was so popular at Eagle's Landing that the Crowns put in on The Altar and the Door, which only increased the popularity of the song.

According to Steve Fee, there was about a four year gap between the writing of the verse and the chorus. He had written the verse and, not finding a suitable chorus, put the song aside. Years later, in reading Ephesians 2, he was insipred to write the chorus, and put the two together.

Although the Crowns' cover rocks, and has a texture and polish indicative of their experience, I prefer the We Shine version of the song. It has more energy, and seems to bring the "praise" aspect of it out more. The song has an almost frenetic energy to it, compounded by multi-delayed guitars, pounding drums, and a U2-like vibe.

At Gospel Light, we introduced this song last week, and it will be kicking off our worship set this coming Sunday. We play it in F, which is a stretch, but it encourages the congregation to sing loudly. The song is simple to sing (provided you can hit the notes) and play, with the single verse repeating itself. My favorite part is the transition into the bridge, where the chorus is intentionally cut off, and the whole tone of the song changes.

Here's the band doing the song, as posted on their Youtube channel.







I was asked last week to be a guest contributor to the awesomeness of The Joint. That's a collaberative album review for those of you not in-the-know. The Joint reviews follow a standard format, so here's mine. Links to the others will be underneath.

Synopsis:

Disclosure: I listen to, and play, a lot of Hillsong music. Hardly a week goes by in our church that there’s not a Hillsong tune somewhere in the setlist. There’s so many of them! And while I listen to both live and studio albums, my preference (and Hillsong’s strength) is the live worship CD.


Faith+Hope+Love is right in Hillsong’s wheelhouse. This has everything one could want in a live worship album: intimate moments, worship anthems, and musical themeatic consistancy. You can put this in an feel like you are at a worship service, even though it was recorded at three different venues. What’s more, this album combines the talents of Hillsong’s main worship band with the youth band Hillsong United. So you wind up with the talents of “mates” like Joel Houston, J.D., Darlene Zchech, Reuben Morgan, Brooke Fraiser, Mia Fields, and Nigel Hendroff all on one record. It’s like a Hillsong All-Star game.



Bottom Line:

That said, there’s only a few songs that seriously “pop” out for me personally, but the record is consistantly good throughout, and has several songs easily converted to congregational worship. And there is enough musical variety here to please a great many people, and a great many worship moods. This album certainly keeps the bar high when it comes to live worship albums, and should be in anyone’s collection.

Rating: Four out of Five Stars


Must Haves:


“God One and Only.” – I’ll admit to being a bit of a United junkie, and this is the kind of worship anthem I like. “I Will Exalt You” – Two words: Brooke Fraiser. “Yahweh” – I’m a sucker for Reuben Morgan worship anthems, and this is a good one.


In Church:

As stated, we are very used to doing Hillsong and United songs, so some of these will be easy for us. “God One and Only” for sure. “Yahweh,” “Glow” stand out for me, but almost anything on the record will work in a worship setting.










On Klampert.com by Joel Klampert:



3 words folks! Brooke Fraser Ligertwood. Seriously can she write a bad song? I swear I would listen to her sing menus at Dennys.While I came listening to this CD a tad worried I was so surprised that while I am sick of the Hillsong sound this CD was awesome. Pulled me right into worship and got me centered on Christ. Rueben Morgan, Brooke, and Joel are brilliant and they shine on this CD.This CD has a wall of sound kind of feel that makes you feel like you are right there worshiping with them. [Read more]








On Worship City by Conner Byrd:



For fans of Hillsong United but wanting more congregationally friendly worship for “big church” this is such a solid release! Get you some! It’s got something for everyone and a great flow for a worship CD! [Read more]







On Live to Worship by Alistair Vance

Have Hillsong hit the end of the road? [Read More]


Honestly, some days I wonder why I do it.


Why do I keep randomly typing at this keyboard and throwing things out there?


I know that there are people who read this blog regularly. (Hello, dude from Belgium!) More, in fact, than I would have thought. And, I will freely admit, I love reading personal blogs as well. I read all the blogs in my blogroll, plus a bunch of others. But am I reaching anyone? Does anyone care?


A couple of weeks ago, I got an unusual email. Someone emailed me and said that they had read this blog and some of the others that I write. She said that she ran the children's ministry at a church about an hour from me, and that they were putting together a big event for kids and youth, and they wanted me to be a part of it.


That set me back a bit. Someone had actually read enough of my stuff to form an opinion that I would be helpful in their ministry. Wow. So I looked over her church website (to be sure that we were all on the same page, belief-wise) and emailed her back.


The other night, my wife and I met with her over dinner to discuss the event. What an amazing meeting! She had a folder full of stuff I had written, things that had spoken to her, and had seemed connected to the theme of the event. (Which happens to be "A Generation Free to Worship.") She had been searching on different website, and kept getting referred back to my blog. Wow. Who knew?


Needless to say, we all hit it off tremendously, and sat at the table for three hours talking and having a great time. This event, the Children's and Youth Congress, is going to be a day-and-a-half long worship workshop for all kids and youth up to the age of 23, and will include a service, breakouts, workshops and an evening worship festival. My role? Keynote speaker for the children's portion of the event. (And hopefully I'll get to play some as well.)


Of course, I'll be adding details as I get them, but the point is this: If you're a blogger, keep blogging. Even when you think you might be the only one reading it, keep it up. (Some of the posts she had printed out were from over a year ago.) Two things happen: First, it can be very cathartic. Second, you never know how God may use it.


Just keep blogging... just keep blogging... just keep blogging, blogging, blogging....
Oh, and Twitter, too.





As the second year of the Sunday Setlist carnival begins at Fred McKinnon's blog, here is the recap from Gospel Light Community Church.




Opening:

Beautiful One (Hughes)(D)



Main Set:

Blessed Be Your Name (Redman/Redman)(C)
Trading My Sorrows (Evans)(G)
From the Inside Out (Houston)(C)
My Savior, My God (Shust)(E)
You Are My World (Sampson)(G)




Offerings:

Let the River Flow (Evans)(E)
All Because of Jesus (Fee)(F)


"You Are My World" is a tune that made it back onto our available list in our last adjustment. We haven't played in in a few months, and it was missed. We haven't done "Beautiful One" or "Let the River Flow" in a while either, so today was like a set of new, fresh songs.


We did a great transition (if I do say so myself) between "Blessed Be Your Name" and "Trading My Sorrows." When we tagged out of "Blessed..." Aquim just kept playing the beat for two bars, then I kicked in with the opening chords of "Trading..." It was very high-energy and upbeat, with a really quick tempo, up around 180. We do the "Yes Lord..." part in three languages - English, Spanish and Creole.


We muffed up the beginning of "My Savior, My God" a little. Josh forgot that he was supposed to start it, but I don't think anyone really noticed outside the team. We just began playing, an he came in on a good beat, so it's all good.

We did "All Because of Jesus" for the first time as our second offering song, which allowed us to extend it after the offering. Emmanuelle sang the verses, and I think the vocalists did a great job. I was moderating the service, so when we finished, I just simply asked the congregation if they liked that song, and got an overwhelmingly positive response. So it's a keeper, and will find its way into the main set next week.


Evening Youth Service

We also had a youth service this evening, and I played along.


Again I Say Rejoice (Houghton/Lindsey)(E)
You Are Good (Houghton)(E)
Empty Me (Comer/Way)(E)
How Great is Our God (Tomlin/Reeves/Cash)(G)
Create in Me a Clean Heart (Bannister)(C)
Open the Eyes of My Heart (Baloche)(E)

and from the choir:

Come Thou Almighty King (Wright)We're Blessed (Hammond)

That's a lot of music.



We had a seriously massive storm come through last night. It was like something out of a movie. I happened to be outside shooting some vid with my phone and caught a lightning blast right over the house. The screencap picture shows the bolt clearly reflected in the windshield of my wife's car.

Note the sky. It was 11pm.



Here's the video clip. Nature is awesome in its power. Why? God made it that way.

Did I mention that I love reading the book of Job? Give it a try.


video

Rock of Ages, cleft for me,
Let me hide myself in Thee;
Let the water and the blood,
From Thy wounded side which flowed,
Be of sin the double cure;
Save from wrath and make me pure.



Thus go the words of the famous Anglican hymn by Augustus Montague Toplady, "Rock of Ages." And this verse paints a very vivid picture of the fact that the water and blood that flowed from the wounds of Christ being a "double cure" for us - saving us both from the punishment for our sins, and our own sinful natures themselves.



This classic hymn inspired the song "Double Cure" - written by Bill Mallonee and released on the Vigilantes of Love albums V.O.L. and Live at the 40 Watt among others. Now, if you've never heard the Vigilantes of Love, I'm sorry for you, but I do have some advice: go find some now. When my friend and fellow worshipper Joel introduced me to these guys, it was an eye-opener, to be sure.



Today I'm sick of all I am,
today is my setback.
First I swear I'll love you
Then I stab you in the back!



The "you" in this verse is, of course, God. And when we look at things, look at ourselves, and our lives, we find that in fact, we've made promises to God we can never keep. But Bill shows us hope as well:



I wanna drink out of that fountain,
on a hill called Double Cure.
I wanna show you my allegience, Lord
I wanna be a son of yours!



The imagery is startling. A "hill called Double Cure." Instead of looking at Calvary as a place of death and suffering, we should be looking at is a the source of our cure - the place we can go to be healed of the (often self-inflicted) wounds in our lives. According to Bill, the idea of the song is "...understanding how close God is when He seems the farthest away." Nice. My favorite part is at the end:



Ask me why I love Him
He gave riches to this poor...
Yes and I will one day see that face,
Over yonder shore!



As for the song itself, the original recording moves from gentle acoustic ballad to blistering electric rocker and back with ease, flavored by a beautiful Celtic 3/4 beat. (Although the song was originally written in 4/4, and this version can be found on a bonus track.) The opening riff (which is repeated throughout the song) is taken from another hymn, "All Hail the Power of Jesus' Name." The song was nominated for a Dove Award, but lost to a song called "Epidermis Girl" by a band called Bleach. (Really? Epidermis Girl?)



V.O.L. broke up in 2001, but performed together last year, and is rumored to be working on a record. You can purchase the song from iTunes. Or you can go see Bill Mallonee at Lifepath Church in R.I. in October with me, 'cuz I will be there.



Until then, watch this rare acoustic version performed by Mallonee.


This is seriously ridiculous.


According to Charisma Magazine, a couple, Mark and Sara Neill, has filed suit agains a company called Bullseye Collection Agency for harassment. It seems that Bullseye puts on each of its collection letters the initials "WWJD," a seemingly obvious reference to the phrase "What would Jesus do?" The implication is clear: if you don't pay your bills, your a sinner.


Bullseye, in retribution, has counter sued the Neills, claiming - get this - religious harassment. Seems Bullseye feels they can use "the phrase as a reminder to act respectfully in an industry known for its ruthlessness." according to their own attorney.


Really? According to Bullseye's website, the acronym WWJD stands for "What Would John Do?" a reference to the way the firm's owner, John, handles accounts. Which is it, boys? Religious freedom or business acumen?


I'm pretty sure that Jesus is not too thrilled with his good Name being bandied about so. If both of these parties are so "Christian," then they've already committed an epic failure: In 1Cor 6, Paul tells the church at Corinth "The very fact that you have lawsuits among you means you have been completely defeated already." Oh, you're burnt!


People love dropping the Name of Jesus when it suits their purposes: when they can hide behind it, wave it like a flag, or even when they stub their toe. To me, this is akin to a small child running around with a locked and loaded bazooka - he has no sense at all of the tremendous power he wields. The name of Jesus has the power to do all things; it should not be the prize in a ridiculous and frivolous lawsuit over an $88 debt.


BTW, it seems the that Mark Neill is president of another collection agency. Curiouser and Curiouser...



Beautiful weather underscored a beautiful day at Gospel Light today. The team was a little tired at rehearsal this morning, but things still went very well at service, which was the first service with Pastor Pedro as our "official" senior pastor.

Today's list:

Opening:

Lord I Lift Your Name on High (Founds)(G)

Main Set:

You Are Good (Houghton)(E)
Again I Say Rejoice (Houghton/Lindsey)
Hosanna (Fraiser)(C#m)
Revelation Song (Riddle)(G)
How Great is Our God (Tomlin/Reeves/Cash)(G)

Offering:
Rock of Ages (R.Baloche)(A)

Rehearsal was a little rough today, as almost everyone was as my house for a graduation party Saturday night. Every once in a while those early Sunday mornings are a challenge, and this week was one of them. Fortunately with no classes this week, we were able to run a little long to polish up, and even got in a run through of a new song. (All Because of Jesus.) Most of the team has breakfast together on Sundays, and by the time service started, we were at 100%

Even though I've been chasing an annoying buzz through my effects chain, I was getting some nice tone today, especially on the first two songs. Josh was out of town this weekend, so Justin led vocals. When that happens, he focuses more on singing, and I have to pick up a little more of the load. I don't mind on days like today, with a fun setlist and good tone. (What more could I ask.)

I thought "Hosanna" came out really well today, although I almost forgot to reset my delay pedal after practicing the Fee song. (That would have been ugly.) I enjoy that song, and so does the congregation. The girls did a great job on "Revelation Song" - especially our newest vocalist Emmanuelle. She belted out the second verse like she's been doing it for years.

Couple of "oldies but goodies" in the set today as well. The Rick Founds tune is obviously a classic, but one that everyone knows and gets into. And the Rita Baloche song for offering was one we haven't done in quite a while. We had a little miscue as far as where we were going to end, but everyone recovered quickly, and made it pretty seamless. That's one of the benefits of a team that knows each other so well, I suppose.

This setlist joins all the others on Fred McKinnon's blog, a year in a going strong. Check it out yourself.

This is some Saturday mahem from the Whackos from Waco. Enjoy!




We're start tonight, for the second time.



As you (hopefully) read last week, we have to restart our recording project. This past weekend, with all our special events at Gospel Light, we got a lot of encouragement from a lot of people. So tonight we jump back into it with both feet, a get the ball rolling again.



We've talked about some things, and think we can make this "second take" better than the first. Here are some ideas:





  • Tighten up some of the arrangements.
  • Change some of the chord voicings.
  • Longer sessions = more productivity.
  • Be more prepared for each session
  • Pray more.

I'm pretty excited. And of course, I'm taking everyone along for the ride!

**Edit: I found out late morning that we will not be able to record tonight. Apparently there are still some software licensing issues that have not been resolved. I'll keep you updated.**



This was a truly special and unique weekend at Gospel Light Community Church. This weekend found us changing senior pastors, and celebrating the planting of a new church.

Saturday afternoon we celebrated the commissioning of Pastor Miller as the new senior pastor of Good News Christian Church in the Bronx, New York. Pastor Jim has been the only pastor of GLCC, serving for 27 years, and now feels the call of God upon him to plant another church, just as he planted this one. We had a short commissioning service, followed by a dinner celebration. Our set for the service:

Again I Say Rejoice (Houghton/Lindsey)(E)
Your Grace is Enough (Maher)(G)
The Stand (Houston)(G)

We also performed a special song in honor of the Millers:

My Tribute Medley (Crouch/Tomlin/Reeves/Cash) (A)

This medley is the last track on Israel Houston's The Power of One album. The Millers love the old Andre Crouch songs, especially "My Tribute." This came out surprisingly good, considering we arranged it ourselves, and with musicians and singers coming in from all over the northeast, we had one ten-minute run through. A video of our effort is below. (Keep in mind it's a "camcorder mix.")


Our choir, Send Judah First, also got in on the action, singing He Is Exalted (Paris)(E) during the dinner celebration.

Sunday was the installation of Pastor Pedro as senior pastor at GLCC, and his wife Amy as Women's Pastor. For both services, we were joined by our own bishop, Henry Buckwalter, as well as Bishop Lawrence Chiles, who has been a friend of GLCC for many years, and delivered the Sunday message. Our setlist:



Opening:
Rescue (Anderson)(D)

Main Setlist:


Friend of God (Houghton/Gungor)(E)
For Who You Are (Sampson)(B)
God of Wonders (Byrd/Hindalong)
Came to My Rescue (Davies/Sampson/Thomas

Because of the weekend celebration, we wound up having more singers and musicians than normal at the church. This allowed us to do two guitars - Daniel played acoustic while I stuck to electric. We hardly ever get to play with this setup, and it was great, especially for "For Who You Are" and "God of Wonders," where we really separated out the guitar parts.




Send Judah First also sang on Sunday, for the first time singing "Everybody Clap Your Hands" (Gray)(C#), a song by Joshua's Troop. We had many guests, visitors and former members in attendance for the weekend festivites, and it was a great time of fellowship and worship.






video


Check out other worship setlists at Fred McKinnon's Blog


No "From the Studio" update this week.


No clips or samples.


Southwestern Connecticut is prone to quickly forming, intense summer thunderstorms. They pop up out of nowhere in the late afternoon and wreak havoc on trees, powerlines and buildings. And computer sytems.


Last Wednesday afternoon, a small cell over Bridgeport did its damage. We're not really sure what happened, but it seems that either the building that houses our recording studio, or a nearby pole, was struck by lightning. Whatever happened, there were several quick flickers of power. Our studio engineer was working on some mixing at the time.


We've lost everything. The strike wiped out not only his computer, but the backup hard drive as well. But our entire recording project is gone. Wiped. Deleted. Fried, along with two 1.5 terabyte hard drives.


It wasn't just our stuff. Everything the studio was working on is apparently toast. Apple says the drives were beyond recovery, and have replaced them. The studio is working on replacing all the software that was lost.


This was obviously despressing and discouraging news for the team. Six months of hard work, gone in an instant. All that's left is a couple of rough audio recordings. Personally, I was in shock for two days. I went through all the stages of grief: anger, denial, bargaining, depression and finally, acceptance. We've thought about it, prayed about it, discussed it.


Time to start over. We are not - not - abandoning this project. Not by any stretch. The studio has committed to giving us whatever time we need to complete the record. The team has committed to doing it over. Not only that, but we've already identified areas where we can improve, both the process and the music itself. All those things we've said we'd do differently - now is the time.


We're on an accelerated schedule. We're committed to spending more time and longer sessions. We want to finish this by the end of the summer, at least the bulk of it, as schedules will become impossible once September rolls in.


Our pastor encouraged us from the pulpit this Sunday. He told us that he believes great things are coming out of this project, and perhaps this seeming disaster was allowed to happen to humble and focus us.


We've already accomplished so much. We've met some of our goals. We've recorded an album. We've learned how to work in a studio. We've grown closer as a team. And the music has already touched some people who've heard it.


To paraphrase the song "Moving Forward," we're not going back, we're moving ahead.

I just wanna say - wow!

When I was asked by Integrity to do a review of the Worship Leader Edition of Israel Houghton's latest album, I was excited to say the least. After all, I seriously liked this album anyway. My worship team has been talking about it since it came out, and we've been discussing how in the world we were going to be able to do any of the songs off of the record.


Here's the answer.

The Worship Leader Edition comes in three discs: A copy of the original album, an enhanced CD that contains 10 audio tracks, sheet music, chord charts and lyric sheets, and a DVD that contains a live "unplugged" concert, song demos and other goodies. I already reviewed the original album when it released, so I'll focus here on the new material.




  • DVD

The main part of the DVD is an intimate concert that was recorded at Lakewood Studios in Houston. Ten of the songs from the CD were performed by Israel, Aaron Lindsay and two others. (I'll talk about the actual songs later in the "Audio CD" section.")




The most important part for worship leaders will be the "Tutorials" section, where Iz himself goes over the guitar parts of the songs. The tone of these tutorials is very casual and easy-going. (On the tutorial for "I Receive," Israel says that on the record the song was in C, but "...it's 1:20 in the morning, so I'm going to do it in A." On another part he discusses his propensity for songs in E, claiming "I'm not much of a guitar player." Yeah, right.


These lessons are helpful (Iz's self-deprication aside) as they give a basic framework that worship leaders can use to construct arrangements for their churches. The very stripped-down arrangements are not complicated at all; in fact they are quite approachable. I found myself watching and saying "Man, I can do that!" on just about everything. Israel takes you through the chord voicings he uses (some which are different from the full-production versions) on guitar, and any little riffs or tricks he plays.

Additionally on the DVD are sections devoted to the stories behind 11 of the songs on the album, and a short documentary on the making of the album. The latter is interesting, and I've always found it helpful knowing the inspiration for a particular worship song when playing it at church.



  • Audio CD


I'm referring to the audio portion of the enhanced CD, which is an audio recording of the concert on the DVD. Ten of the songs off the record are provided here, in arrangements that generally include an acoustic guitar, a piano, a bass guitar and various hand percussion instruments - not a Les Paul or drum kit in earshot.

"Just Wanna Say" is still my favorite song on the record, and I think I like this acoustic version better. In fact, I like several of these songs better than the ones on the album. Of course, the songs that were the most simple to begin with sound the most similar to the full recording. ("Moving Forward","Surely Goodness) Producer Aaron Lindsay does the piano duties here, infusing the songs with a jazzy vibe, and percussionist Javier Solis leaves you not caring in the least that there's no drummer.


The song to me that seems the most "different" from the original arrangement is "I Receive." On the record, the song is a moody, mellow homage to Phil Collins' "In the Air Tonight" - centered around a gradually building drum track, with slick production and a feel of impending sunrise. Here, it's a resounding piano anthem that grabs you from the beginning, inverting the chorus and first verse to let you know right away what you're singing about. On the other hand, "The Power of One (Change the World)" transforms into an intimate piece, leaving behind the horns and choir for a simple, musical conversation.



  • Enhanced CD

The "enhanced" part of the CD is the real toolkit for worship leaders. There are chord charts (in PDF format) for the songs, complete with fret diagrams for all the chords. (C13? Really?) I warn you now, you might go blind looking at "Moving Forward," there are so many chord changes, and "I Receive" has 18 different chords! But, these are a great starting place for a worship leader to begin arranging the songs for his or her team. There is also piano sheet music for those of you (and I say "you" because it's not me!) who enjoy such things. Finally, there are simple lyric sheets. (The copying of all this material is covered under a church's CCLI licence, so be sure you have one.)


It seems almost superfluous that there is a copy of the original CD in the package, as almost anyone who buys the Worship Leader Edition will likely have one. But it is nice to have it all in one package. Integrity has done a great job with this release, making one of today's most popular Christian artists approachable for churches large and small alike, and guaranteeing that these songs will be sung in worship services around the world. I can only hope they continue the trend.


The Worship Leader Edition is availible from Integrity Direct.



Happy Fourth of July Weekend! Here's the setlist from Gospel Light Community Church:


Opening:



Oh Lord, You're Beautiful (Green)(D)

Main Set:

One Way (Houston/Douglass)(B)
When the Spirit of the Lord (McCurdy)(Dm)
He Reigns (Furler/Taylor)(C)
Mighty to Save (Fielding/Morgan)(A)
You Are My King (Amazing Love)(Foote)(D)



Offering:

All About You (Cruis-Ratcliff/Houghton)(E)


We were a little shorthanded this weekend, as Justin's brother got married Saturday night, and there were things for the wedding party today. So we did the set with no piano. I missed having Justin around, as it made me have to stick to more basic stuff on guitar, but it's all good. The wedding was amazing, and service today was just as good.


"When the Spirit of the Lord" is a song originally written for Fred Hammond, but Salvador redid the arrangement as "David Danced." The arrangement we do is much closer to the Salvador version, with Latin flavor to it. (Check out Salvador doing the song here, to introduce everyone both to a fun song, and a great band.)

"He Reigns" is a great simple song for worship, both to play and to sing. Usually I play electric on it, but with no keys I played acoustic for most of the tunes. It's one of the songs on the album, and young and old love it.



This was also the last week for Pastor Jim as our senior pastor. He and Andrea are planting a church in the Bronx later in the year, and so after 27 years, it is time for him to move on. I had the priviledge of moderating this service, and bringing him up to preach for the last time as senior pastor. Next Sunday, Pastor Pedro will be installed as Gospel Light's new senior pastor. We also had a visit by some very old and dear friends; a former elder who moved to Florida several years ago made a surprise visit with his family.


A new song we ran through at rehearsal was "Sweetly Broken" by Jeremy Riddle.

It seems like it might be a nice tune for an altar call, or a relfective moment. We're also starting to break in a new keyboard player, which will help with some of the team's flexibility.


How was your service? Check out others at Fred McKinnon's blog.


I mentioned on Sunday that we were looking at revamping our song catalogue. Let me give you a brief overview of where we stand now:

  • We had way to many songs on the list (over 130!!) and we had introduced over thirty new tunes over a year and a half.
  • We decided in December that we were going to cut back our "active" song list to just fifty songs. We wanted both the congregation and the team to get more familiar with the music we were doing.
  • We set a moratorium on new music for the first six months of 2009.

This worked our better than I had thought. (A was somewhat resistant to the concept before we started, but agreed to try it.) I began to notice that the congregation had their heads less on reading the screen and more into worshipping. I also noticed the team had their heads less focused on the music stands. And that we weren't doing the Spontaneous Song Shuffle to look for charts for the song the pastor asked for at the last minute, or the one to perfectly match the word that was just given, because we knew the song already.

Our "restrictions" were not absolute, either. There was no restriction on songs used for offerings or altar calls, and certain special events. But you get the gist.

Six months have passed, and it's time to evaluate where we are. We're doing this two ways. First off, we handed out a survey to our congregation. We asked questions like:

  • What songs that we sing in church really engage you?
  • How do you you worship personally?
  • How often do you listen to Christian/Gospel music personally?( a lot/a little/never)
  • Who is your favorite Christian artist?
  • What style of worship music do you prefer? (Softer, acoustic or piano-based /electric guitar-driven rock/gospel/hymns)
  • What song would you like to see added?
  • Do you prefer more comfortable, familiar songs or new, fresh songs?

There were other questions, but you understand where we're going. We're giving it a couple of weeks. We've got some early results in, but we're waiting for a pretty good sample. (I can tell from business experience, people who fill out surveys early are complainers. You have to push people who are content.)

The second thing we did is to survey the team, including the media tech people:

  • Name 2 songs that you would remove from the list
  • Name one song we used to do that didn't make the list that you would add
  • Name one brand new song you would like added to the list
  • Name one hymn that you would add

Our current goal is to keep the list the same size, at least for now. Some songs will go by attrition - there are songs that even on a small list, we have rarely done. Some will be harder to cull out, but we're all looking forward to some fresh music. Already we've begun rehearsing one new, high energy song, and we're looking at a couple of others. I'll keep you updated.